art wonder every day: Liverpool Academy of Arts and Alice

I study in ADA – Academy of Art. Till last year, when I actually began my course in this fascinating new LJMU building, I never knew that it was called the “Academy of Art” and I always wondered why has it got the same name as
the old Academy of Art on 36 Seel Street?”

I am familiar with the Academy of Art at Seel Street from my first year in Liverpool.

I accidentally found this old building called Academy of Arts, when I came to Liverpool and walked to explore the city. Liverpool was a very different city.
I was curious about the Academy of Arts, because I met a lady there who loves Alice in the Wonderland. I noticed the picture hung in her office that I really liked. The lady I met was June Lornie.
The painting was her art work. It was Alice in Wonderland image, from my childhood my most favorite book ever.

June said that she became a member of the Lewis Carroll Society in 2001 after Cheshire Life published an article about her series of pictures on Alice in Wonderland.

Each year the society picks a young girl to be ‘Alice’ and attend functions on their behalf. As part of this one of the members asked if Alice could come along and open an exhibition at the Liverpool Academy of Arts.

fragment of June Lornie's painting Alice in Wonderland

Alice in Wonderland book for me is understanding and explanation of the Roland Barthes theory from Death Of The Author as well. I do not care who the author of Alice’s stories when I read this book - I imagine how I fall into a rabbit hole and as if all the adventures seem to happened to me.

Alice in Wonderland Author : Lewis Carrol

English logician, mathematician, and novelist, best-known for his classic fantasy novels ALICE'S ADVENTURES IN WONDERLAND (1865) and its sequel THROUGH THE LOOKING-GLASS, AND WHAT ALICE FOUND THERE (1871). Unlike other children's books of the time, written in the atmosphere of rigid morality of the Victorian era, the Alice books did not try to teach a moral message.

"I can't explain myself, I'm afraid, sir," said Alice, "because I'm not myself, you see."
--"I don't see," said the Caterpillar.
--"I'm afraid I can't put it more clearly," Alice replied very politely, "for I can't understand it myself top begin with; and being so many different sizes in a day is very confusing."
--"It isn't," said the Caterpillar.
(from Alice in Wonderland)

Lewis Carroll was born Charles Lutwidge Dodgson at Daresbury in Chesire. His father, the Reverend Charles Dodgson, was at that time Curate of the parish. In 1827 he had married his first cousin Frances Jane Lutwidge, Charles was their third child. Dodgson attended a Yorkshire grammar school and Rugby. At Christ Church, Oxford, he studied mathematics and worked from 1855 to 1881 as a lecturer (tutor). Dodgson's career in education was troubled by a bad stammer. He lectured and taught with difficulty and he also preached only occasionally after his ordination in 1861. "The hesitation, from which I have suffered all my life," Dodgson wrote in a letter, "is always worse in reading (when I can see difficult words before they come) than in speaking."

According to anecdotes, Dodgson was very shy and he even hid his hands continually within a pair of gray-and-black gloves. In 1867 he travelled with his friend and colleague Henry Parry Liddon to Russia, where they visited churches, museums and other places of interest. After this journey, he never again left Britain. Dodgson died on January 14, 1898. He was buried in Guilford Cemetery.

Oscar Gustave Rejlander. Lewis Carroll. 1863. Albumen print.
Rosenblum, Naomi. A World History of Photography. Abbeville Press, New York. 1989.

In spite of his stammer, Dodgson spoke easily with children, whom he often photographed, first with their clothes on. From July 1866, Dodgson began to take nude photographs, always with the permission of parents. During the next thirteen years, Dodgson took many nude studies, but before he died, he destroyed most the negatives and prints. Dodgson was careful not to show them to anybody, stating in a letter that "there is really no friend to whom I should wish to give photographs which so entirely defy conventional rules."

Dodgson had seven sisters. Although his attraction to young girls was well-known, he followed in their company the strict Victorian rules of behavior and morals, even if his feelings were more intense than he acknowledged in his diaries. He also had long friendships with mature women, but remained a bachelor. This side of his life has remained little examined. However, Karoline Leach has criticized in her book In the Shadow of the Dreamchild (1999) the Freudian mythology and the "strange incestuous kind of immortality" created around the author and the real-life Alice.

During one picnic – on July 4, 1862, on a blazing summer afternoon – Dodgson began to tell a long story to Alice Liddell (died in 1934), his ideal child friend, who was the daughter of Henry George Liddell, the head of his Oxford college. The Alice's Adventures in Wonderland was born from these tales. (SEE ALSO other adventures inside the Earth, Giacomo Casanova's Icosameron, 1788; Jules Verne's Journey to the Centre of the Earth.) The friendship with the Liddell family ended abruptly in June 1863, two years before Wonderland was published, and Dodgson turned his attention to other young friends. According to some Oxford gossips, Dodgson had proposed marriage to Alice, aged eleven; for females the legal age to marry was twelve. However, the cause of the break between Dodgson and the Liddells is a mystery. Dodgson's relationship with the family remained formal, but in 1870 Mrs. Liddell brough Alice and her sister Ina to Dodgson's studio to be photographed. When Alice married Reginald Gervis Hargreaves in 1870, he gave the couple a watercolor of Tom Quad, one of the quadrangles of Christ Church in Oxford. Alice was absent from his funeral, no Liddells appeared.

Originally the book appeared under the title Alice's Adventures Under Ground. The story centers on the seven-year-old Alice, who falls asleep in a meadow, and dreams that she plunges down a rabbit hole, where finds herself first too large and then too small. She meets such strange characters as Cheshire Cat, the Mad Hatter, the March Hare, and the King and Queen of Hearts, and experiences wondrous, often bizarre adventures, trying to reason in numerous discussions that do not follow the usual paths of logic. Finally she totally rejects the dream world and wakes up.

The sequel Through the Looking Class, appeared in 1871. It is perhaps more often quoted than the first, featuring the poems Jabberwocky and The Walrus and the Carpenter. The artist John Tenniel refused to illustrate one chapter in Through the Looking Class because he thought that it was ridiculous. The chapter was published later in 1872 as The Wasp in a Wig. Dodgson himself always wished to be an artist and as a boy he illustrated all the manuscript magazines, which he made for his younger brothers and sisters. Dodgson's original drawings for Alice's Adventures Underground were published in 1961.

The author's life and work has become a constant area for speculation and his exploring of the boundaries of sense and nonsense has inspired a number of psychological studies and novels – and perhaps also the famous English philosopher Ludwig Wittgenstein. The humor of Joseph Heller's famous war novel Catch-22 (1961) is much in debt to Dodgson. In Catch-22 the story centers on the USAF regulation, which suggests that willingness to fly dangerous combat missions must be considered insane, but if the airmen seek to be relieved on grounds of mental reasons, the request proves their sanity. The same laws dominate the Wonderland: "'Oh, you can't help that,' said the Cat: 'we're all mad here. I'm mad. You're mad.' 'How do you know I'm mad?' said Alice. 'You must be,' said the Cat, 'or you wouldn't have come here.'"

According to Carl Jung, "a typical infantile motif is the dream of growing infinitely small or infinitely big, or being transformed from one to the other – as you find, for instance, in Lewis Carroll's Alice in Wonderland." (in Man and His Symbols, 1964) Modern physicist have often compared the world of Lewis Carroll with the incredible phenomena of quantum reality – such as cats that are both alive and dead at the same time ('Schrödinger's cat') or with particles that change their identities for no apparent reason. They are against Alice's common sense: 'I can't believe that!' said Alice. '... one can't believe impossible things. But the White Queen has her own principles: "Why, sometimes I've believed as many as six impossible things before breakfast.' (from Through the Looking Glass)

"The time has come," the Walrus said,
"To talk of many things:
Of shoes - and ships - and sealing wax -
Of cabbages - and kings -
And why the sea is boiling hot -
And whether pigs have wings."
(from 'The Walrus and the Carpenter')

At the time of their publication, Alice's adventures were considered children's literature, but now Dodgson's stories are generally viewed in a different light. His work has fascinated such critics as Edmund Wilson and W.H. Auden, and logicians and scientist such as Alfred North Whitehead and Bertrand Russell. Virginia Woolf remarked, "the two Alices are not books for children; they are the only books in which we become children". In the 1960s rock musicians and hippies were attracted to the surrealistic world Wonderland, which inspired such songs as Jefferson Airplane's 'White Rabbit' and The Beatles's 'I am a Walrus'. Fredric Brown used Lewis Carroll's characters and lyrics in his novel Night of the Jabberwock (1950). In the 1990s Jeff Noon continued Alice's adventures in Automated Alice, in which she is transported to the modern world.

(source : www.kirjasto.sci.fi)

I looking forward to come to the TATE Liverpool to see new 'blockbuster' exhibition Alice in Wonderland

1898 The typography on this turn-of-the-century edition, which features one of John Tenniel’s original illustrations