I cannot help expressing my personal conviction that it is the best national art, not merely easel painting, but also many splendid examples of so-called applied art, which often permits one to get a deeper insight into the standard of art of a people than easel painting alone. It is true that certain examples of the French or American art are more appealing to the public, but in the light of the national characteristics of the people and the country, Swedish art has a very definite quality, consistently shown. Their work has a robustness which has nothing to do with the salon aspect of the art of southern Europe, particularly France. In fact it is almost opposed to the art of the Romanic races, and distinctly apart from the art of Germany. It is fortunate Sweden could make such a splendid showing without the support of the art of such a man as Anders Zorn, who, while decidedly Swedish, is after all much of a cosmopolitan painter, with all the earmarks of an international training. The art of the most artistic of all people, that of the French, is often said to have a decadent note. In comparison, Swedish art may be said to be absolutely robust, healthy, and vigorous, without being coarse. Who pretend to find a certain physical brutality in Swedish art, I should like to point out that the most delicate pictures in my research about Swedish art- those of John Bauer - are my favourite as well
source: http://bauer.artsycraftsy.com/
